Tomio Koyama Gallery is pleased to announce our participation in ART in PARK HOTEL TOKYO 2017.
Venue： PARK HOTEL TOKYO 26F・27F （2floor）
Shiodome Media Tower, 1-7-1 Higashi Shinbashi, Minato-ku, Tokyo, Japan
Dates：February 11-12, 2017
Hours：11:00pm – 7:00pm
Presenting works by: Yuka Kashihara、Tomoko Nagai、Midori Sato、Yuko Someya、Yuko Okazaki
Yuka Kashihara uses oil paint applied in a thinly diffuse manner similar to that of Japanese nihonga painting, and by applying it in numerous layers she is able to create a unique depth of color. Within the world of her artworks, scenes from both reality and the spaces of the internal imagination are gently interwoven. Against this backdrop, having left Japan and moved to Germany where she continued developing her practice, Kashihara acquired an interest in the ‘distance’ between the internal and the external. This included the physical distance between Japan and Germany; and further, the distance herself as a Japanese person and herself while in Germany. This becomes expressed symbolically as an introspective speculation in the forms of the motifs of caves, holes, mountains and lakes which she repeatedly takes up within her work, and through this process of sublimation it is as though the original energies which lie dormant within the great Earth have become awakened.
Yuka Kashihara was born in 1980 in Hiroshima Prefecture. In 2006 she graduated from the Japanese Painting Department of Musashino Art University. In the same year she moved to Germany, and in 2013 she acquired a Diploma from the Academy of Visual Arts in Leipzig. In 2015, she was named a Meisterschüler (Masters graduate) of the same academy, studying under Professor Annette Schröter. In 2008 she exhibited at the Bauhuas Dessau Foundation in Shakkei (“borrowed scenery”), a solo show curated by research scholar Torsten Blume of the same Foundation, and in 2012 she exhibited in VOCA, Tokyo, where she received both the Honourable Mention Award and the Ohara Museum of Art Award.
1980 Born in Hiroshima, Japan
2006 B.F.A in Japanese Painting, Musashino Art University, Tokyo
2012 Stayed in Germany under POLA Art Foundation Grants Program
2013 Completed Diploma in Academy of Visual Arts Leipzig, Germany
2015 Completed Meisterschüler in Academy of Visual Arts Leipzig, Germany
(under Prof. Annette Schroeter)
Lives and works in Germany
In Tomoko Nagai’s works, various motifs including animals such as bears, cats, and horses; young girls and imaginary figures; and trees and mushrooms are scattered against backgrounds of forest or rooms which look precisely as if they were theater sets. In all of her works there is a characteristic sense of fulfilment, as if expressing a condensed form of our world. Nagai does not draw before painting, and she uses different media depending on the subject: oil, acrylic, watercolor, color pencil, and pastel, as well as sculptures and installations. This results in various matiere and levels of intensity that seem to have become elements and rhythms, together constituting one music. Nagai’s works do not carry any specific narratives. By feeling this music, we somehow enter unawares into her world of stories.
Tomoko Nagai was born in Aichi Prefecture in 1982. She graduated from Aichi Prefectural University of Fine Arts and Music in 2006, majoring in Oil Painting. She currently lives and works in Toyohashi-city, Aichi. She has held four solo exhibitions with Tomio Koyama Gallery, and a solo exhibition at Tokyo Opera City Art Gallery. She has also participated in “VOCA 2010” at The Ueno Royal Museum, Tokyo, as well as international exhibitions such as “Future Pass – From Asia to the World” Collateral Event of the 54th International Art Exhibition la Biennale di Venezia (Palazzo Mangilli-Valmarana, Venice, 2011), and other group exhibitions in Seoul, Grenoble, and Berlin. She also worked with a project in which she painted the walls of the swimming pool in a nursery school called Toyama nursery school (designed by Takahashi Ippei Office) located in Shichigahama town, Miyagi, one of the stricken areas caused by the Tohoku earthquake and tsunami. The nursery building completed in 2013 was fully funded and supported by Singapore Red Cross. Her works have been included in public collections including The Takahashi Collection (Japan), The Olbricht Collection (Germany), The Zabludowicz Collection (UK) and The JAPIGOZZI Collection (US/ Switzerland).
A closet packed full of colorful dresses, an array of high-heeled shoes on shelves, vividly colored flowers:Midori Sato shows us things that every woman yearns to see. Yet if we turn our attention to the details of her work, bold brushstrokes and an intentionally uneven paint coating tinge her subject matter with the contours of abstraction. This abstraction demonstrates the force of the power that draws the viewer into the picture plane.
Midori Sato was born in 1984 in Aichi Prefecture. She graduated from Oil Painting Course, School of Art, Nagoya University of Arts in 2008, and studied at Ecole nationale des beaux arts de Dijion, France as an exchange student in 2008. She received M.F.A from Graduate School of Tokyo Zokei University in 2010. Her major solo exhibitions include TWS-Emerging 140 ”Blissful moments” (Tokyo Wonder Site Hongo, Tokyo, 2010), TWS-Emerging Plus”Point Marie” (Tokyo Wonder Site Art Café kurage, 2011) , “Project N 48” (Tokyo Opera City Arty Gallery, Tokyo,2012) and “My Precious Room”(Tomio Koyama Gallery, Kyoto, 2012). She live painted at Shinjuku Isetan, on the second floor where has just remodeled in 2013. She exhibited at Art Award Tokyo Matunouchi 2008 and 2010, and received the Tomio Koyama Prize in 2010. Her group exhibitions include “Tokyo Wonder Wall 2009” (Museum of Contemporary Art, Tokyo, 2009) , “Tokyo Painting 2” (Tokyo Metropolitan Art Museum, Tokyo,2013) and “Embracing for Painting” (Shiseido Gallery, Tokyo, 2015) In 2013, she received the Ohara Museum of Art Prize at “VOCA 2013″(The Ueno Royal Museum).
Yuko Someya was born in 1980 in Chiba. She completed her Master’s degree in printmaking at Tokyo University of Arts, the Department of Art, in 2006. She received awards for her work at Machida City Museum of Graphic Arts, Tokyo in 2004 and her works are now part of the museum collection. “I move my pencil as if I was spelling a word,” Someya says of her works, intricately drawing and coloring motifs such as flowers, birds, plants, and animals. The paintings often embrace generous blank spaces in which the motifs are given the sense of floating, releasing strong brightness as if to invite the viewers into the stories, and to continue them. Her specialized method using ink and distinctive transparency in color and texture created by layered washi paper are also attractive.