NANA FUNO / TOMOKO NAGAI / MIDORI SATO

group exhibition “Tomio Koyama Gallery: Works from the Gallery Artists and the Collection3”

Pink tweed 2016-2017 acrylic and oil on mirror 60.5 × 60.5 cm ©Midori Sato

8/ ART GALLERY/ Tomio Koyama Gallery is pleased to announce an exhibition presenting gallery’s collections along with the selected works of gallery artists.
The diverse collection offers the visitor an opportunity to explore a range of multifaceted art such as paintings, sculptures, ceramics that the gallery is known for.

Artists: Benjamin Butler, Nana Funo, Dennis Hollingsworth, Ryan McGinley, Shintaro Miyake, Paulo Monteiro, Tomoko Nagai, Toshiaki Noda, Midori Sato, Shooshie Sulaiman, Richard Tuttle.

For more information, please visit the following link.
http://www.hikarie8.com/artgallery/2018/03/TomioKoyamaGallery3.shtml

Artist Profile

Nana Funo

Nana Funo’s paintings are richly filled with motifs of decorative patterns, animals and plants, figures, landscapes and written characters. They are composed with various techniques – graceful drawings of acrylic, repetitive overlaying of gesso or dye, patterns that come into appearance from masking – and the visual effect that embraces richness in layers arouse a curiosity to explore what is illustrated deep inside the paintings. Textures similar to porcelain, textile or sometimes relief can be observed in the works. The technique and unique textures she brings about by continuously moving her hands across the picture plane start to function as an independent language, and it is as if the artist gazes in concentration at the state of the world, while keeping it at a certain distance from herself and her works.

Nana Funo was born in 1983 in Shizuoka, Japan. In 2008, she received an M.F.A. in Painting from Kyoto City University of Arts. She currently lives and works in Kyoto. Her solo exhibitions at Tomio Koyama Gallery include “The Humidity of Underground and the Feel of Paper” (Tokyo, 2014), “The Fish Glitters as Its Scales Tremble “(Singapore, 2014), “Vessel That Never Leaks” (Tokyo, 2012) and “Who Knows the Stories” (Kyoto, 2009). Her selected group exhibitions include “The Way of Painting” (Tokyo Opera City Art Gallery, Tokyo, 2014) and “VOCA 2009 – The Vision of Contemporary Art” (The Ueno Royal Museum, Tokyo, 2009). Her work is included in MONTBLANC and GBU Japan, Takahashi Collection, Takamatsu City Museum of Art and the JAPIGOZZI Collection.

Tomoko Nagai

In Tomoko Nagai’s works, various motifs including animals such as bears, cats, and horses; young girls and imaginary figures; and trees and mushrooms are scattered against backgrounds of forest or rooms which look precisely as if they were theater sets. In all of her works there is a characteristic sense of fulfilment, as if expressing a condensed form of our world. Nagai does not draw before painting, and she uses different media depending on the subject: oil, acrylic, watercolor, color pencil, and pastel, as well as sculptures and installations. This results in various matiere and levels of intensity that seem to have become elements and rhythms, together constituting one music. Nagai’s works do not carry any specific narratives. By feeling this music, we somehow enter unawares into her world of stories.

Tomoko Nagai was born in Aichi Prefecture in 1982. She graduated from Aichi Prefectural University of Fine Arts and Music in 2006, majoring in Oil Painting. She currently lives and works in Toyohashi-city, Aichi. She has held four solo exhibitions with Tomio Koyama Gallery, and a solo exhibition at Tokyo Opera City Art Gallery. She has also participated in “VOCA 2010” at The Ueno Royal Museum, Tokyo, as well as international exhibitions such as “Future Pass – From Asia to the World” Collateral Event of the 54th International Art Exhibition la Biennale di Venezia (Palazzo Mangilli-Valmarana, Venice, 2011), and other group exhibitions in Seoul, Grenoble, and Berlin. She also worked with a project in which she painted the walls of the swimming pool in a nursery school called Toyama nursery school (designed by Takahashi Ippei Office) located in Shichigahama town, Miyagi, one of the stricken areas caused by the Tohoku earthquake and tsunami. The nursery building completed in 2013 was fully funded and supported by Singapore Red Cross. Her works have been included in public collections including The Takahashi Collection (Japan), The Olbricht Collection (Germany), The Zabludowicz Collection (UK) and The JAPIGOZZI Collection (US/ Switzerland).

Midori Sato

A closet packed full of colorful dresses, an array of high-heeled shoes on shelves, vividly colored flowers:Midori Sato shows us things that every woman yearns to see. Yet if we turn our attention to the details of her work, bold brushstrokes and an intentionally uneven paint coating tinge her subject matter with the contours of abstraction. This abstraction demonstrates the force of the power that draws the viewer into the picture plane.

Midori Sato was born in 1984 in Aichi Prefecture. She graduated from Oil Painting Course, School of Art, Nagoya University of Arts in 2008, and studied at Ecole nationale des beaux arts de Dijion, France as an exchange student in 2008. She received M.F.A from Graduate School of Tokyo Zokei University in 2010. Her major solo exhibitions include TWS-Emerging 140 ”Blissful moments” (Tokyo Wonder Site Hongo, Tokyo, 2010), TWS-Emerging Plus”Point Marie” (Tokyo Wonder Site Art Café kurage, 2011) , “Project N 48” (Tokyo Opera City Arty Gallery, Tokyo,2012) and “My Precious Room”(Tomio Koyama Gallery, Kyoto, 2012). She live painted at Shinjuku Isetan, on the second floor where has just remodeled in 2013. She exhibited at Art Award Tokyo Matunouchi 2008 and 2010, and received the Tomio Koyama Prize in 2010. Her group exhibitions include “Tokyo Wonder Wall 2009” (Museum of Contemporary Art, Tokyo, 2009) , “Tokyo Painting 2” (Tokyo Metropolitan Art Museum, Tokyo,2013) and “Embracing for Painting” (Shiseido Gallery, Tokyo, 2015) In 2013, she received the Ohara Museum of Art Prize at “VOCA 2013″(The Ueno Royal Museum).