In Tomoko Nagai’s works, various motifs―animals such as bears, cats, and horses, young girls and imaginary figures, and trees and mushrooms — are scattered around with the backgrounds of forest or rooms as if they were theater settings. Each work, Nagai states, captures a scene from one grand imaginary world filled with innumerable images that she would never finish painting. All of her works embrace a sense of contentment and seem to address a condensed world. They also share a unique sense of space.
Nagai believes that work is result of coincidence and spontaneity. She does not draw before painting, as she would be satisfied if the drawing succeeds. She employs different medium depending on the subject; oil, acrylic, watercolor, color pencil, and pastel. She also creates installations using different materials. This results in various matiere and levels of intensity that seem to become each element and rhythm constituting one music. Nagai’s works do not carry any specific narratives. By feeling this music, however, we would realize that we enter inside of her world of stories.
This exhibition will be on view at 2 spaces in the same building; Tomio Koyama Gallery Kyoto (2F) and TKG Editions Kyoto (1F). The season is winter, the place is somewhere far, long time ago. White bears, weasels, young deers, and young girls will appear. There will be a scene where these characters show up lively, and also a quiet scene where only the sound of snow seems to be heard. The exhibition will feature not only paintings, but wall paintings and installations, inviting a viewer to proceed inside of the stories while viewing the exhibition. (note: The word “konko” in the exhibition title is Japanese onomatopoeia that suggests the sound of snow. )
In Tomoko Nagai’s works, various motifs including animals such as bears, cats, and horses; young girls and imaginary figures; and trees and mushrooms are scattered against backgrounds of forest or rooms which look precisely as if they were theater sets. In all of her works there is a characteristic sense of fulfilment, as if expressing a condensed form of our world. Nagai does not draw before painting, and she uses different media depending on the subject: oil, acrylic, watercolor, color pencil, and pastel, as well as sculptures and installations. This results in various matiere and levels of intensity that seem to have become elements and rhythms, together constituting one music. Nagai’s works do not carry any specific narratives. By feeling this music, we somehow enter unawares into her world of stories.
Tomoko Nagai was born in Aichi Prefecture in 1982. She graduated from Aichi Prefectural University of Fine Arts and Music in 2006, majoring in Oil Painting. She currently lives and works in Toyohashi-city, Aichi. She has held four solo exhibitions with Tomio Koyama Gallery, and a solo exhibition at Tokyo Opera City Art Gallery. She has also participated in “VOCA 2010” at The Ueno Royal Museum, Tokyo, as well as international exhibitions such as “Future Pass – From Asia to the World” Collateral Event of the 54th International Art Exhibition la Biennale di Venezia (Palazzo Mangilli-Valmarana, Venice, 2011), and other group exhibitions in Seoul, Grenoble, and Berlin. She also worked with a project in which she painted the walls of the swimming pool in a nursery school called Toyama nursery school (designed by Takahashi Ippei Office) located in Shichigahama town, Miyagi, one of the stricken areas caused by the Tohoku earthquake and tsunami. The nursery building completed in 2013 was fully funded and supported by Singapore Red Cross. Her works have been included in public collections including The Takahashi Collection (Japan), The Olbricht Collection (Germany), The Zabludowicz Collection (UK) and The JAPIGOZZI Collection (US/ Switzerland).