YUKA KASHIHARA

solo exhibition “Polar Green”

Milford 2019 tempera and oil on canvas 230.1 × 170.1 cm ©Yuka Kashihara

Yuka Kashihara / solo exhibition “Polar Green”

8/ ART GALLERY/ Tomio Koyama Gallery, Shibuya Hikarie 8F
March 14 – April 1, 2019
Venue hours : 11am – 8pm
Open everyday during exhibitions
Admission Free

Opening reception : Thursday, March 14, 6 – 8pm
Artist talk : March 14, 7pm –

http://www.hikarie8.com/artgallery/2019/03/yuka-kashihara.shtml

8/ ART GALLERY/ Tomio Koyama Gallery is pleased to present “Polar Green,” a solo exhibition of works by Yuka Kashihara.

In producing her work, Kashihara references classic techniques of traditional Western Painting, first applying her own formula of semi-oil based paint as an undercoat to the canvas. Upon this original canvas, she uses oil paint applied in a thinly diffused manner reminiscent of Japanese nihonga painting, while also incorporating mixtures of tempera to create a unique depth of color.

Within the world of her works, scenes from both reality and the spaces of inner imagination gently coalesce and are interwoven. In the backdrop of these works is Kashihara’s interest in the ‘distance’ between the internal and external, as an artist who left Japan and moved to Germany where she has since continued to develop her practice. Distance in this context includes they physical distance between Japan and Germany, the spiritual distance between the respective cultures, and the distance between herself as a Japanese person and herself while in Germany. Such introspective explorations are symbolically expressed through motifs of caves, holes, mountains and lakes, which she repeatedly takes up within her work. Through this process of sublimation, she further serves to evoke the fundamental energies in nature that lie dormant within the great depths of the earth.

The title of this exhibition “Polar Green,” is a neologism inspired by her four-day trek across New Zealand’s famous tramping route, the “Milford Track” (spanning a total length of 54km). The “Milford Track” is a beautiful and remarkable place where various worldly landscapes can be observed to the extent that it could be described as an “epitome of the world,” traversing desert lands, rainforests, an alpine pass, and volcanic valleys. Witnessing the fleeting scenery that changes with each and every step, she had in particular felt deeply moved by the surprisingly vivid, almost mint green hues of a lake she encountered –the experience of which translates to this title.

Kashihara states as follows. “At the Milford Track, access to the trail is regulated, allowing a maximum of 20 walkers to start the trail per day. While trekking I could not feel any signs of human presence or civilization, so much so that it was strange I didn’t encounter any dinosaurs. I trekked across a piece of the former Gondwana continent, on a trail where it is said to rain throughout the year. Climbing the mountains while soaking wet from rain had seemed to reveal to me what nature in fact should be, and all the while, the greenery around me glistened vibrantly.”

Kashihara’s experience in the vast landscapes of nature had also presented an influence on her practice. She states, “In the past, when I’d paint I was within my safety zone. It was similar to digging a hole, in the sense that I was venturing deeper and deeper inside myself. Since returning from this trip however, I have been engaging in a process of filtering various external incidents and experiences within myself, and then transmitting them to the outside again through my inner self.”

Kashihara’s new works demonstrate glimpses of dynamic brushstrokes that evoke the energies of a primeval forest against delicate depictions of various plant life.

This exhibition features the artist’s new jungle series that draw inspiration from the primeval forests she observed while camping over the past two years in Malaysia, Amami Oshima, and New Zealand. Such landscapes bring together her own memories and imagination, things she had recently observed, and scenes that reside within herself, ultimately coming to manifest through a repeated process of painting and erasing. Marking the artist’s fifth solo presentation with Tomio Koyama Gallery since her previous showing three years ago, viewers are invited to engage with the world of Kashihara’s works in which the refreshing atmosphere and transparency of the primeval forest coexist with a unique sense of richness.

【Artist Statement】

“Polar Green”

For two or three months, I painted while traveling across mountains, forests, and lakes. From the past, I have experienced moments when I feel like I’m not myself.
It is a sensation similar to floating in water, so close yet so far, like someone else’s affairs, or the goings on of another world. And, it is slightly uncanny.

In a jungle on the edge of the Gondwana continent, in the torrential rain, the raging greenery had overcome me.

Dominated by an overwhelming sense of blissfulness, I felt like I had been invited into that world for a little while. In the same way as I had been welcomed into that greenery, it is indeed when I am painting that I feel closest to myself.

-Yuka Kashihara

More information about 8/ ART GALLERY/ Tomio Koyama Gallery:
http://www.hikarie8.com/artgallery/2019/03/yuka-kashihara.shtml

Artist Profile

Yuka Kashihara

Yuka Kashihara uses oil paint applied in a thinly diffuse manner similar to that of Japanese nihonga painting, and by applying it in numerous layers she is able to create a unique depth of color. Within the world of her artworks, scenes from both reality and the spaces of the internal imagination are gently interwoven. Against this backdrop, having left Japan and moved to Germany where she continued developing her practice, Kashihara acquired an interest in the ‘distance’ between the internal and the external. This included the physical distance between Japan and Germany; and further, the distance herself as a Japanese person and herself while in Germany. This becomes expressed symbolically as an introspective speculation in the forms of the motifs of caves, holes, mountains and lakes which she repeatedly takes up within her work, and through this process of sublimation it is as though the original energies which lie dormant within the great Earth have become awakened.

Yuka Kashihara was born in 1980 in Hiroshima Prefecture. In 2006 she graduated from the Japanese Painting Department of Musashino Art University. In the same year she moved to Germany, and in 2013 she acquired a Diploma from the Academy of Visual Arts in Leipzig. In 2015, she was named a Meisterschüler (Masters graduate) of the same academy, studying under Professor Annette Schröter. In 2008 she exhibited at the Bauhuas Dessau Foundation in Shakkei (“borrowed scenery”), a solo show curated by research scholar Torsten Blume of the same Foundation, and in 2012 she exhibited in VOCA, Tokyo, where she received both the Honourable Mention Award and the Ohara Museum of Art Award.

1980 Born in Hiroshima, Japan
2006 B.F.A in Japanese Painting, Musashino Art University, Tokyo
2012 Stayed in Germany under POLA Art Foundation Grants Program
2013 Completed Diploma in Academy of Visual Arts Leipzig, Germany
    A part-time lecturer of Musashino Art University, Department of Japanese Painting, Tokyo (-2017)
2015 Completed Meisterschüler in Academy of Visual Arts Leipzig, Germany (under Prof. Annette Schroeter)

Lives and works in Germany