8/ ART GALLERY/ Tomio Koyama Gallery is pleased to announce an exhibition presenting gallery’s collections along with the selected works of gallery artists.
The diverse collection offers the visitor an opportunity to explore a range of multifaceted art such as paintings, sculptures, ceramics that the gallery is known for.
Artists: Benjamin Butler, Nana Funo, Dennis Hollingsworth, Ryan McGinley, Shintaro Miyake, Paulo Monteiro, Tomoko Nagai, Toshiaki Noda, Midori Sato, Shooshie Sulaiman, Richard Tuttle.
For more information, please visit the following link.
Nana Funo was born in 1983 in Shizuoka Prefecture. She graduated from Osaka University of Arts, Japan (BFA) in 2006 and completed the Graduate Kyoto City University of Arts, Kyoto, Japan (MFA) in 2008. She currently lives and works in Shizuoka. Her major solo exhibitions include “Nana Funo” (Roppongi Hills A/D GALLERY, Tokyo, Japan, 2010), “howl of green” (Itamuro Onsen Daikokuya, Nasushiobara, Tochigi, Japan, 2012). She has held 8 solo exhibitions with Tomio Koyama Gallery.
Her major group exhibitions include “VOCA 2009 The Vision of Contemporary Art” (The Ueno Royal Museum, Tokyo, Japan, 2009) and “The Way of Painting” (Tokyo Opera City Art Gallery, Tokyo, Japan, 2014). Funo’s works are housed in the collections of Aman Tokyo, The JAPIGOZZI Collection, MONTBLANC and GBU Japan, Takahashi Collection and Takamatsu City Museum of Art.
In Tomoko Nagai’s artworks, various animals, children, colorful trees and mushrooms are depicted in a theatrical arrangement against the backdrop of forests and domestic rooms. Loaded with a multitude of motifs, each of Nagai’s paintings embraces a unique sense of spatiality, wherein a dynamism that encapsulates the worlds of fictional narratives intricately overlaps with layers of images. The colorful matière and brushstrokes form a fantastical rhythm as the artist exercises an expression akin to composing a musical piece. The viewer perceives this melody while standing face-to-face with each painting. This evokes a sense of being inside the painting, as the viewer’s own memories and experiences – nostalgic sensations, recollections and dreams from childhood – connect with the worldview represented in each artwork.
Tomoko Nagai was born in Aichi Prefecture in 1982. She graduated from Aichi Prefectural University of Fine Arts and Music in 2006, majoring in Oil Painting. Nagai currently lives and works in Tokyo. Nagai held a solo exhibition at Project N, Tokyo Opera City in 2008, followed by a number of solo presentations in Kyoto, Kagoshima, Hong Kong and Singapore. She exhibited at “VOCA 2010” (the Ueno Royal Museum, Tokyo, 2010) and “Future Pass – From Asia to the World”, part of the 54th Venice Biennale (Palazzo Mangilli-Valmarana, Venice, 2011), and has participated in international group exhibitions in Seoul (Gana Art Center, 2011), Grenoble (Le Magasin – Centre National d’Art Contemporain) and Berlin (me Collectors Room Berlin, 2010). She has also taken a part in a project funded by the Singapore Red Cross, in which she painted an entire swimming pool at Toyama nursery school, located in the tsunami-stricken area of Shichigahama town, Miyagi (designed by Takahashi Ippei Office, completed in 2013). Nagai has engaged with broad audiences outside of museums and art galleries, providing title designs and artworks for television programmes on NHK Educational, as well as creating book covers for a range of publications. In 2017, she published her first monograph “Thousands of Finches”. Nagai’s artworks have been included in public collections both in Japan and internationally, notably the Takahashi Collection (Japan), the Olbricht Collection (Germany), the Zabludowicz Collection (UK) and The JAPIGOZZI Collection (US / Switzerland).
Midori Sato was born in 1984 in Aichi Prefecture. She graduated from Oil Painting Course, School of Art, Nagoya University of Arts in 2008, and studied at Ecole nationale des beaux arts de Dijion, France as an exchange student. She received M.F.A from Graduate School of Tokyo Zokei University in 2010. She studied in Paris as a recipient of the POLA Art Foundation award for overseas research in 2017.
A closet packed full of colorful dresses, an array of high-heeled shoes on shelves, vividly colored flowers: Midori Sato shows us things that every woman yearns to see. Yet if we turn our attention to the details of her work, bold brushstrokes and an intentionally uneven paint coating tinge her subject matter with the contours of abstraction. This abstraction demonstrates the force of the power that draws the viewer into the picture plane.
Her major solo exhibitions include “Diaphanous petals” (The Pola Art Museum, Atrium Gallery, Kanagawa, 2019), “Bouquet” (8/ ART GALLERY/ Tomio Koyama Gallery, Tokyo, 2019), “Orange Glow” (Green Art Flowers Gallery, Paris, France, 2018) and “Reflections” (Roppongi Hills A/D Gallery, Tokyo, 2017). She participated in group exhibitions such as “Aichi Triennale 2016 rainbow caravan” (Aichi, 2016) and “Embracing for Painting” (Shiseido Gallery, Tokyo, 2015). In 2013, she received the Ohara Museum of Art Prize at “VOCA 2013″(The Ueno Royal Museum, Tokyo) and the artwork was housed in the Museum.