Tomio Koyama Gallery: Works from the Gallery Artists and the Collection
Dec.16（Wed.）- Jan.11, 2016（Mon.）
8/ ART GALLERY/ Tomio Koyama Gallery
*The gallery will be closed at 18:00 on Dec, 31 (Thu), and will be closed on Jan, 1 (Fri)
Opening reception: 12.16 (Wed) 6:00pm – 8:00pm
8/ ART GALLERY/ Tomio Koyama Gallery is pleased to announce the exhibition of the gallery’s collection along with the selected works of gallery artists. The exhibition features selected works by Franz Ackermann, James Castle, Eduardo Chillida, Nana Funo, Victoria Gitman, Peter Halley, Richard Hamilton, Rieko Hidaka, David Hockney, Hans Josephsohn, JR, Hideaki Kawashima, Khvay Samnang, Masahiko Kuwahara, David Lynch, Takashi Murakami, Yoshitomo Nara, Midori Sato, Laurie Simmons, Shooshie Sulaiman, Sarah Sze, Richard Tuttle, and Wang Yahui.
Nana Funo was born in 1983 in Shizuoka Prefecture. She graduated from Osaka University of Arts, Japan (BFA) in 2006 and completed the Graduate Kyoto City University of Arts, Kyoto, Japan (MFA) in 2008. She currently lives and works in Shizuoka. Her major solo exhibitions include “Nana Funo” (Roppongi Hills A/D GALLERY, Tokyo, Japan, 2010), “howl of green” (Itamuro Onsen Daikokuya, Nasushiobara, Tochigi, Japan, 2012). She has held 8 solo exhibitions with Tomio Koyama Gallery.
Her major group exhibitions include “VOCA 2009 The Vision of Contemporary Art” (The Ueno Royal Museum, Tokyo, Japan, 2009) and “The Way of Painting” (Tokyo Opera City Art Gallery, Tokyo, Japan, 2014). Funo’s works are housed in the collections of Aman Tokyo, The JAPIGOZZI Collection, MONTBLANC and GBU Japan, Takahashi Collection and Takamatsu City Museum of Art.
Midori Sato was born in 1984 in Aichi Prefecture. She graduated from Oil Painting Course, School of Art, Nagoya University of Arts in 2008, and studied at Ecole nationale des beaux arts de Dijion, France as an exchange student. She received M.F.A from Graduate School of Tokyo Zokei University in 2010. She studied in Paris as a recipient of the POLA Art Foundation award for overseas research in 2017.
A closet packed full of colorful dresses, an array of high-heeled shoes on shelves, vividly colored flowers: Midori Sato shows us things that every woman yearns to see. Yet if we turn our attention to the details of her work, bold brushstrokes and an intentionally uneven paint coating tinge her subject matter with the contours of abstraction. This abstraction demonstrates the force of the power that draws the viewer into the picture plane.
Her major solo exhibitions include “Diaphanous petals” (The Pola Art Museum, Atrium Gallery, Kanagawa, 2019), “Bouquet” (8/ ART GALLERY/ Tomio Koyama Gallery, Tokyo, 2019), “Orange Glow” (Green Art Flowers Gallery, Paris, France, 2018) and “Reflections” (Roppongi Hills A/D Gallery, Tokyo, 2017). She participated in group exhibitions such as “Aichi Triennale 2016 rainbow caravan” (Aichi, 2016) and “Embracing for Painting” (Shiseido Gallery, Tokyo, 2015). In 2013, she received the Ohara Museum of Art Prize at “VOCA 2013″(The Ueno Royal Museum, Tokyo) and the artwork was housed in the Museum.